When it comes to the cinema camera, there’s never been a better time to be a filmmaker than right now. In 2021, it’s pretty amazing what you can achieve with the gear available.
In this competitive, growing market, manufacturers have all been busy vying for our attention (and money) with the latest and greatest digital movie cameras. Prices have come down while quality has gone up. So, whether you’re looking for a budget cinema camera or can afford to splash the cash, there are plenty of incredible cine cameras out there that will satisfy all of your cinema camera needs. With so many options, it can be a little daunting to choose the one that’s right for you!
Below, we’ve put together a list of the very best cinema cameras available for filmmakers in 2021. To make things even easier, we’ve broken the sections down into budget-friendly options, middle-ground film cameras and the all-out high-end options.
Budget-friendly options
Blackmagic Pocket 6K Pro
source: https://www.blackmagicdesign.com/
Type | Mirrorless |
Sensor | Super 35 |
Megapixels | 21.2 (Effective) |
Lens mount | Canon EF |
4K/6K frame rates | Up to 60/50fps |
ISO Range | 400 – 3,200 |
Memory cards | 1x SD/SDHC/SDXC UHS-II, 1x CFast |
Positives | Negatives |
Excellent value for the specs | Quite large |
ND filters built-in | No continuous AF, AE or IBIS |
Instant access to Canon EF mount family | Tilt-only screen |
Blackmagic have been busy making a name for themselves over the past few years with their line of amazing pocket cine cameras. When you look at the price tag, their new Blackmagic Pocket Camera 6K Pro is quite simply one of the best cinema cameras on the market right now – at least for budget options. It comes with a wide array of features and impressive specs that all culminate in a beautiful image. The small details such as the built-in ND filters let you know that this is a cine camera that’s been designed with filmmakers in mind. If you’re looking for the best film camera available to you on a budget, this Blackmagic cinema camera is it.
PS – you may want to read about the Blackmagic 7.3 update.
Sony FX3
source: https://electronics.sony.com/
Type | Mirrorless |
Sensor | Full frame |
Megapixels | 10.2 |
Lens mount | Sony FE |
4K/6K frame rates | No 6K
4K at 120fps |
ISO Range | 80 – 102,400 |
Memory cards | 2x SD/SDHC/SDXC (UHS II)/CFexpress Type A |
Positives | Negatives |
Included handle is very useful | No physical viewfinder |
120p at 4K is impressive | No built-in ND filter |
Very small and portable | No internal LUT preview |
The Sony FX3 is Sony’s latest release in their cine camera line. It looks to pack a real punch, taking many of the great features seen in the FX6 (more on that soon) and cramming them into a very small, durable body. With the astonishing ability to shoot 120p 4K, one would worry about overheating but fear not! The active cooling system works wonders here. The film camera also comes with a handle, which proves very useful in getting some beautifully low, swooping shots, as well as extending the camera’s audio capabilities. This is a winner – certainly one of Sony’s best movie cameras. If you want to learn more about the FX3, our article covering the FX3 vs A7S III is well worth checking out.
Panasonic LUMIX GH5
source: https://www.panasonic.com/
Type | Mirrorless |
Sensor | CMOS |
Megapixels | 20.3 |
Lens mount | MFT |
4K/6K frame rates | No 6K (only in photo burst mode) 4K at 60fps 4:2:0 8-bit4K up to 30fps 4:2:2 10-bit |
ISO Range | 200 – 25,600 |
Memory cards | 2x SD/SDHC/SDXC UHS-II |
Positives | Negatives |
Great build quality that makes it durable | Can fall short in low-light conditions |
Near-perfect video specification | AF is not brilliant |
Very well implemented IBIS | Some decrease in quality when shooting high frame rates (180p) |
The Panasonic GH5 was originally released in 2017, so the fact that it’s still making this list in 2021 tells you everything you need to know. This cinema camera is a truly remarkable beast – a reliable workhorse that won’t ever let you down. Particularly attractive features include its durability, exquisite image quality and a fantastic IBIS system that enables you to shoot pretty much everything handheld. The LUMIX GH5 set the affordable digital movie camera benchmark for years and continues to hold its own as one of the best movie cameras around. Well worth the investment.
There are plenty more options on the budget-friendly side of things. We’ve put together these articles on the best cameras for YouTubers as well as the best mirrorless cameras for 2021.
Middle-ground film cameras
Canon EOS C300 Mark III
source: https://www.usa.canon.com/
Sensor | Super 35 |
Megapixels | 8.85 |
Lens mount | EF / PL |
4K/6K frame rates | No 6K,
4K up to 120p |
Display size | 4.3 inches |
Memory cards | CFexpress x 2, SDXC x 1 |
Positives | Negatives |
Amazing dual pixel AF | New battery format may be frustrating for existing Canon EOS C300 Mark II owners |
Dynamic range is second to none | When rigged up, it can feel tall |
Canon Cinema RAW light profile included | No timelapse function |
The Canon EOS C300 Mark II has been the go-to Canon cinema camera for many filmmakers over the past few years. This latest release, the Mark III, blows that out of the water. Boasting ‘dual gain output’ (basically dual native ISO), the image quality in low light is exceptional. There are 16 stops of dynamic range, along with the option to shoot in Canon’s ‘Cinema RAW light’ profile, which combine to make the image quality of this cine camera something truly beautiful. If you have the money to invest, this is one of Canon’s best film cameras out there right now.
Sony FX6
source: https://pro.sony/
Sensor | Full frame |
Megapixels | 10.2 |
Lens mount | Sony FE |
4K/6K frame rates | No 6K
10-bit 4:2:2 4K up to 120p |
Display size | 3.5 inches |
Memory cards | 2x CFexpress Type A or SD/SDHC/SDXC card slots |
Positives | Negatives |
Advanced hybrid AF is brilliant | SD Cards are very expensive |
Great value for the specs | No IBIS |
10-bit 4:2:2 4K up to 120fps is impressive | No internal RAW recording |
When it comes to the best value full-frame cine camera on the market right now, the Sony FX6 is very hard to beat. Taking the beautiful sensor of the A7SIII, the FX6 is a dream for filmmakers everywhere, boasting fantastic low-light performance, XLR audio options, built-in ND filters and the ability to shoot 10-bit 4:2:2 4K up to 120fps. With no overheating issues and long battery life, this thing is made for the job. Truly one of the best cine cameras out there.
Red Komodo
source: https://www.red.com/
Sensor | Super 35 |
Megapixels | 19.9 |
Lens mount | Canon RF |
4K/6K frame rates | 6K full frame at 40fps
4K at 60 fps |
Display size | N/A – the monitor only allows for preview and camera operations |
Memory cards | CFast 2.0 |
Positives | Negatives |
Great battery life | Software and integrated app a little flakey |
Beautiful image quality | Similar specs to some cameras that are much cheaper |
Very small and portable | Lots of add-ons needed before it works |
The ‘Red look’ has always been an iconic, awe-inspiring vision that every filmmaker lusts for. We associate it with big-budget films and high-quality documentary work. It’s the color, the contrast and the subtle qualities throughout the highlights and shadows. The Red Komodo is a beautiful cine camera that delivers this coveted image quality at a very affordable price point. The ability to shoot in 6K and Red’s brilliant Redcode RAW codec (including the advanced compression technology and means your file sizes remain small, despite the high-quality images) all make for one of the best film cameras available in the mid-price market.
High-end pricey options
Blackmagic Ursa Mini 12K
source: https://www.blackmagicdesign.com/
Sensor | Super 35 |
Megapixels | 79.6 |
Lens mount | PL, or options EF / F |
4K/6K frame rates | It shoots up to 12K! |
Display size | 4 inches |
Memory cards | 2x CFast 2.0 slots, 2 x SD UHS-II slots |
Positives | Negatives |
It shoots up to 12K!! | Limited to only recording in Blackmagic RAW |
Built to last with real durability | AF is poor |
Extraordinary image quality | Super 35 is not full frame |
Blackmagic really pulled out all the stops for this one. The Ursa Mini 12K is a cinema camera that’s caused quite a stir, and rightfully so. While the debate over whether we actually need 12K footage continues, there’s no doubt that this particular cine camera provides some of the most extraordinary image quality out there right now, especially when shooting 8K and 4K. Quite simply, they’ve set a new benchmark here. While your bank account may be displeased, this is one of the best cinema cameras you can buy, no doubt.
Sony PXW-FX9 XDCAM Full-Frame Camera System, Cranberry
source: https://pro.sony/
Sensor | Full frame |
Megapixels | 20.5 |
Lens mount | Sony E |
4K/6K frame rates | No 6K
4K up to 60fps 4K up to 120fps (external) |
Display size | 3.5 inches |
Memory cards | 2 x XQD slots, 1x SD data slot |
Positives | Negatives |
Relatively good price point | SD cards can be pricey |
Advanced hybrid AF is very welcome | No 6K is disappointing |
Dual native ISO sensor gives amazing low-light performance | No internal RAW recording |
The guys at Sony know how to make a great digital movie camera, don’t they? The FX9 comes with all the professional controls associated with the best cine cameras, including your XLR audio and large battery life, before going even further by adding a beautiful full-frame sensor as well as hybrid AF (borrowed from the popular Alpha mirrorless series). It’s really a beautiful thing to behold. Given all of these features (wait until you see the colors and low-light performance), it’s quite remarkable that this high-end performer sits at the price it does. This is one of the best movie cameras available on the market right now.
ARRI Alexa Mini
source: https://www.arri.com/
Sensor | Super 35mm ALEV III CMOS |
Megapixels | 7.5 |
Lens mount | PL / EF |
4K/6K frame rates | No 6K
4K up to 60fps |
Display size | 3.2” flip-out monitor (from viewfinder) |
Memory cards | CFast 2.0 |
Positives | Negatives |
Compact and lightweight | The price is eye-watering |
Interchangeable lens mounts are great | No high frame rates |
Very versatile | Can become bulky with all accessories |
Given the price tag of the ARRI Alexa Mini, you’d be universally backed by every filmmaker by expecting this to be one of the best cinema cameras available. The good news: it is. The bad news: it still costs somewhere north of $40,000 USD. Interestingly, by ARRI’s standards (the gold standard for TV and film production), this isn’t actually too pricey compared to their other models. The ARRI Alexa Mini is a fantastic high-end cinema camera option for anyone with the appropriate budget. It’s compact and lightweight and has proven very versatile over the years. With so many rigging options, you can use this camera body as the foundation for building your perfect digital movie camera. We doubt you’ll be disappointed.
Final thoughts
So, that’s our guide to the best cinema cameras available on the market right now.
It’s a fascinating time to be a filmmaker right now. Prices continue to come down while quality increases. There are now so many brilliant film cameras out there, covering a wide range of price points – from budget-friendly options that allow amateurs and budding professionals to take their first steps into the industry, all the way to the high-end mind-blowing gear that’s used at the pinnacle of Hollywood. The only thing that’s certain right now is that the industry will continue to experiment, develop and evolve, producing ever-better cinema cameras. We can’t wait.
Cine cameras not for you? There are still plenty of great digital movie camera options out there. We’ve written up this useful guide covering mirrorless or DSLR cameras, as well as an in-depth look at the best DSLRs for 2021.
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